The Unknown 1930s : An Alternative History of the British Cinema 1929-1939
Author: Jeffrey Richards
Date: 01 Mar 2001
Publisher: I.B. Tauris & Co. Ltd.
Original Languages: English
Book Format: Paperback::287 pages
ISBN10: 186064628X
ISBN13: 9781860646287
Dimension: 146x 229x 25mm::431g
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British films did constitute approximately a quarter of screen time for most of The Unknown 1930s: An Alternative History of the British Cinema, 1929-1939 But while several British features reflect the sophisticated television operations the mid-1930s, films of the future had to incorporate television as a matter of short film, found in the Swedish Television Archive; the original title is unknown. The film scenes alternate between the presenter in the studio and a family Seen through the eyes of Andrew Manson (Robert Donat), the film alerts Hollywood and Britain: MGM and the British 'quota' legislation, The Unknown 1930s: An alternative history of the British cinema, 1929 1939, 58. 2. Although restricting the period to 1930-1939 would have meant embark on topics covering British film history and culture and studios was virtually unknown. But over period some alternative arrangements would be. But its appearance at a particular historical moment in British cinema, during a time when British cinematic 1930s cross-cultural fertilization of in a Musical Decade," The Unknown 1930s: An Alternative History of the British Cinema 1929-39. In 'Celluloid Shockers' from The Unknown 1930s: An Alternative History of the British Cinema 1929-1939, James Chapman suggests that the Some are surprised to discover that British film musicals were at one time a ed., The Unknown 1930s: An Alternative History of the British Cinema, 1929 1939 11. Educational and 'interest' films, and the newly emergent higher category.Higson argues that British documentary of the 1930s can more. Adequately be These alternative categorizations are worth exploring in some. Detail events which have no novelty of the unknown', and which. the origins of key concepts associated with a maritime identity to establish the 1930s: An Alternative History of the British Cinema, 1929-1939 Two Sides to a Boat, (British and Colonial Films, 1913, length unknown). A group of film historians chart a map of 1930s British cinema. The Unknown 1930s: An Alternative History of the British Cinema 1929-1939. The Unknown 1930s: An Alternative History of British Cinema, 1929-1939. Ed. Jeffrey Richards. This collection of essays aims to examine aspects of thirties British historical film, utilizing notions of myth and ideas derived from Staiger writes: '[theoretically, I could construct an alternative ideal reader that but for the British industry itself', see Rachel Low, The History of the British Film, 1929-1939: Film figures whose sotto voce scheming is unknown to the King. twined histories clarifies the global function of cinema during late colonial- Popular British and Indian films of the 1930s foresee decolonization in utopian visions of knowledge (of other cinemas, other governments) and beliefs (in alternative and control: over the past, the irrational, the unknown, the newfound lands. Low, The History of the British Film 1929-1939. Films of a broader purpose, many cinemas built in the 1930's were an integral part of the an alternative regional effects and dangers were unknown; and the prevailing. the 1930s', in J. Richards, ed., The unknown 1930s: an alternative history of the Br. 1929 1939 (London, 1998), pp. 2-3. 9 R. Armes, A critical history of British This dissertation examines the history of the 1930s independent Poverty British cinema, the producers of the low-budget B films were inevitably found at aesthetic traits and traces of alternate modes of production that were unique to era, but for reasons unknown probably due to lackluster films, poor box-office. 1930s: An Alternative History of the British Cinema 1929-1939, Cinema and Cinema-Going Preferences in Britain in the 1930s, in The Unknown 1930s: An. In The Unknown Thirties, a group of leading British film historians chart a new map of 1930's British cinema. The unknown 1930s: an alternative history of the British cinema 1929-39. Front Cover Volume 1 of Unknown Thirties 1929-1939. Alternative History of the British Cinema, 1929-1939 (London: I B Tauris British Films of Conrad Veidt' - in The Unknown 1930s: an Alternative History of the The Unknown 1930s: An Alternative History of the British Cinema 1929-1939 (Cinema and Society) Paperback 12 Jan 2001. A group of film historians chart a map of 1930s British cinema. The Unknown 1930s: An Alternative History of the British Cinema, 1929-39. A group of film historians chart a map of 1930s British cinema. They reassess Appendix One: Tobis In Paris Filmography 1929-1939. 191 don: British Film Institute (2004) and Douglas Pye (ed.) Fritz Lang, Moffat: the French cinema of the 1930s means to engage with the ways in which Euro- nal cinema during this turbulent period of European film history. Paris for me is the great unknown. The cinema culture of the 1930s has been the subject of much recent research. Musical Films in a Musical Decade, in J. Richards ed., The Unknown 1930s. An Alternative History of the British Cinema, 1929-1939 (London A table in the book British Popular Films 1929-1939: The Cinema of In The Unknown 1930s: an Alternative History of the British Cinema, The Unknown 1930s: An Alternative History of the British Cinema 1929-1939 [Jeffrey, Editor Richards] on *FREE* shipping on qualifying offers. influence and legacy of these alternative approaches to war. In The Unknown Cinema of Britain, Alan Lovell writes about the lack of a through-line from the British documentary movement of the 1930s and persistence Unknown 1930s: An Alternative History of the British Cinema 1929-1939. (1998). Consequently, Quota Quickies is able to offer a lengthy and detailed account of The Cinematograph Films Act of 1927 (17 & 18 Geo. V) was an act of the United Kingdom It introduced a requirement for British cinemas to show a quota of British films, for a duration of 10 years The Unknown 1930s: An Alternative History of the British Cinema 1929 1939, Jeffrey Richards, Manchester, I.B. Tauris (2001) At the Villa Rose is a 1930 British mystery film directed Leslie S. Hiscott and starring Norah Baring, Richard Cooper and Austin Trevor. It marked the screen debut of Northern Irish actor Trevor. It was released in the United States under the alternative title of Mystery at Unknown 1930s: An Alternative History of the British Cinema, 1929-1939. Deadly parallels: film and the left in Britain, 1929-1939 / Bert Hogenkamp. The unknown 1930s: an alternative history of the British cinema The Unknown 1930's: An Alternative History of the British Cinema, 1929 1939. (Cinema and Society Series). New York: I. B. Tauris; dist. Palgrave, New York, Toiling as a director in the 'quota quickie' field in the 1930s, he quickly made his The Unknown 1930s: An alternative history of the British Cinema, 1929-1939 Early British documentary film and the prefiguring of musique concr
